藝術(shù )家自(👘)古(👥)(gǔ )皆寂寞或許是境(⛑)界(😙)(jiè )，人到(dào )中年萬(🈶)(wà(🔖)n )事憂則是現實。在(zà(🍡)i )畫(🚻)室洋(yáng )洋灑灑(sǎ )呈(🍱)現(🐄)自由雄風的裸(luǒ )男(🦑)畫(🆔)作(zuò )令他一(yī )舉成(🎦)名(🈶)，在家面對(duì )前妻(🏷)懷(🆚)(huái )着新歡(huān )骨肉、(✈)與(🍳)女兒相處(chù )尷尬卻(🍴)(què(🐹) )令他一(yī )籌莫展。貝(🛎)蒙(🔩)特的(de )寂寞，在於如(rú(⤴) )何在著名畫家與單(dā(🏝)n )親爸爸(bà )雙重身份(👧)、(💃)藝術創作與家(jiā )庭(⛑)生(🍩)活(huó )之間取得平衡(🏗)。維(🗾)(wéi )羅（《電影就(jiù(🚷) )在(🐓)街角》，35 屆）找(zhǎo )來合作(🏤)(zuò )多年的(de )編劇兼美(😭)指(📢)好友對(duì )號入座(zuò(🥀) )，還(💂)原(yuán )藝術家有血有(💹)肉(🔭)的(de )矛盾本(běn )性，在(🍒)(zà(🛌)i )出世與入世的兩難(🕧)(ná(🍒)n )外，毋(wú )忘點點(diǎn )超(🐿)現(📘)實的幽默。

Three strangers from different backgrounds find themselves trapped inside a confined mansion and as they run low on resources they soon figure out the only way to escape is for one to kill the other two.

A collection of horror stories involving cannibals, zombies “and other funny creatures”.

电影(yǐng )讲(🕑)述(🎵)了(le )天蛊门蛊师蓝左(👝)，于70年代(dài )初在苗(miáo )疆(💨)逃亡时滚入未知(zhī(📱) )山(❕)洞。多年后，在千年一(🈷)遇(🗳)的血(xuè )月之夜(yè )，蓝(📂)左(🚻)曾经的队友(yǒu )刘洪(🧤)绑(bǎng )架了8名(míng )至阴女(🐂)性炼“活人(rén )蛊”，企图(😭)复(♟)(fù )活上古时期的蚩(📂)尤(🧐)(yóu )，让血(xuè )蛊门东(dō(🐎)ng )山(🦔)再起、扬名世界(💑)(jiè(🏦) )。就在(zài )此时，当年跳(🥏)崖(📢)的蓝左，返老还(hái )童(🛣)成(🧖)“小鲜肉”重现人间(jiā(😭)n )，联(🏆)手(shǒu )以苗医(yī )身份(⏱)隐匿江湖的妻(qī )子蓝(😚)姨(yí )，高校(xiào )叛逆学(🍘)生(🌻)妹蓝湘婷(tíng )，与刘(liú(🚉) )洪(🍱)对决一场大虫师之(👩)异(🌛)形(xíng )大战，以阻止这(🕥)场人间浩劫。

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.

威(wēi )尼斯(🚄)國(guó )際電影節參展(🤞)作(❣)品(pǐn )

A man and a woman lay side by side in bed. Who are they and how do they know each other? There is no one clear answer and that’s what makes this story interesting.