《梦(mèng )想之城》是(🌝)一部(📑)(bù )现实(shí )主义题(🛤)材的(🚨)创业(🔫)电影(yǐng )。影(yǐng )片展(🦕)现了(🎊)佛山(🚊)(shān )作(zuò )为改革开(☕)放前(qián )沿(🥌)阵(zhèn )地，40年(🍳)来所取(🏜)得(dé )的巨(⭕)(jù )大成就(🖥)和显著(🐂)变(biàn )化。故(🥉)事通过描写在风(🚄)云(yún )激荡(😺)(dàng )的改革开放大(♌)(dà )潮中，祖(🌠)辈生活(huó )在佛(fó(🍥) )山的阿宽(🍩)（保剑(jiàn )锋饰(shì(🍮) )）与外来(🕢)追梦者(zhě )北北(bě(🎸)i )（金巧巧(⏺)饰）等人在(zài )奋斗创业路(🐭)上(shà(🤦)ng )的不(bú )同经历、(🛎)际遇(㊙)和(hé(🎈) )人生(shēng )抉择，展现(🦊)出佛(🙅)(fó )山(🎑)人(rén )“敢为人先、(🌝)崇文务(wù(😂) )实、通济(🎥)和谐”的(🗑)(de )性(xìng )格气(😙)质和城市(🖖)(shì )精神(🔸)(shén )。

Brij Mohan (36), a hosiery shop owner in a busy Delhi market, desperately wants to change his life. He is fed up of his ball-crusher wife and mounting debts. In order to escape his wretched life, he changes his appearance and adopts a new identity as Amar Sethi, but ends up committing a botched up murder. He runs off with his young girlfriend, hopeful of making a new beginning. Instead, as luck would have it, he finds himself trapped in a web of his own Karma.

子ども(🚄)に夢を与え、想(👼)像力をは(👒)ぐくむコンテン(🤽)ツ作りを(✂)めざして、キャ(🤥)ラクター(➡)アニメーション(🚍)を中心に(🌥)デジタル絵(guì )本(🃏)やARといっ(😷)たアプリなどを通して、(🍁)エン(🏀)タメから知育(yù(🦋) )まで(🚸)幅広(🔍)く活動している(🏍)スタ(🐠)ジオ(🌥)ななほしが、ジ(🔹)ャンルや(🧡)メディアを問わ(😝)ず、もの(🗓)づくりを(🎫)手掛け(🧝)るウサギ(📸)王と制作。どこの(🎢)家にもあ(🏠)る縁(yuán )起物(wù )た(🕞)ちと、彼(〰)らが動くさまを(🐨)見た子ど(👐)もたちとの交流(📥)を、躍(yuè(🐎) )動感いっぱいに(🏑)描いたド(🤶)タバタコメディ！

技术宅男(🔃)马小明暗(àn )恋小模特(🥙)沙莎(🚶)(shā )，一(👍)(yī )次意外他与流(🍞)浪(là(🚌)ng )狗豆(🦐)(dòu )丁互换了身体(🕑)，从此(cǐ )进(💦)入了沙莎的生活(🚾)，在人(rén )与(📳)狗互换的(🖤)过(guò )程(🤘)中，彼此增(👇)进(jìn )了了(le )解，建立(🤢)了信任(rè(🕕)n )与依(yī )赖，最终捕(🚐)获了(le )女孩(🙎)(hái )的芳心。

Skilled at killing, but not so skilled at living, Sammy Cohen, a French and London-based assassin, accidentally kills his fiancé, who happens to be the daughter of an Israeli gangster. qiwan.cc Forced to flee, he ends up in Copenhagen, where he starts working with a former mercenary and together, they travel all over Europe, doing the dirty work on behalf of a rich industrialist.

在贝(Ⓜ)鲁特(tè )一(👘)个街角的咖啡店(💭)(diàn )二楼，有(🌞)一面大(dà )大的(de )转(🚚)角窗和一(⬜)台电(diàn )视机(jī )，一位78岁的退(⚫)伍将军(jun1 )和一(yī )位81岁的退伍(🎥)军医(♟)(yī )每天早上都会(🍢)(huì )在(🏿)这(zhè(🤛) )里碰面，看着街(jiē(🌄) )角车(chē )来(🧖)人往，做着填(tián )字(🎭)游(yóu )戏，以(🍑)此对抗阿(🤵)茨海(hǎ(🌗)i )默综(zōng )合(🦀)症。伴随两(👪)(liǎng )位老(🙏)人的玩笑(🗾)和(hé )字谜(mí )，咖啡(🉑)馆的顾客(💸)(kè )纷纷(fēn )登场。本(🗓)片用发(fā(❤) )生在(zài )一个社会(🌼)小角落16天(⤴)之(zhī )内的一系列(✡)事件，四两(🕥)拨千斤地讨(tǎo )论了(le )人生、(🎈)政治、历(lì )史等(děng )话题；(🍧)通过(🚖)单场景多(duō )幕剧(🤺)(jù )的(🎎)结构(⛵)让人感受(shòu )到老(🐤)人们的孤(🏺)(gū )独，以及疾病带(🦆)来的(de )苦涩(😤)(sè )，同时映(🛋)射出黎(📽)(lí )巴嫩(nè(🚻)n )暴力事件(🕝)肆虐的(🤟)现状(zhuàng )。以(🐬)(yǐ )小见大，令人(ré(🔈)n )回味。

Three families from three different level of society are involved in an accident. Immorality and betrayal which are in some families will take the natural right of the children- All in the dark are the same, human do not make the same decision in the specific situation and in the end no one is guilty. The wrong culture of a society will force the human to do the mistakes so we should not judge the people and their behavior..

该片(👱)改编(biān )自脱(tuō )北(📹)女性的真(😿)实故(gù )事，讲述的(🙀)是抛开家(🏗)(jiā )人，逃往韩国的(🐉)母亲与憎(🤸)(zēng )恨自己的儿子在16年(nián )后(🔴)重逢的故事。