BOI is a young man just starting out as a private chauffeur. Whilst anxiously awaiting his girlfriend’s decision about a certain life-changing matter, he has to accompany his first ever clients: Michael and Gordon. Two Chinese businessmen who have come to Barcelona with the aim of closing, in under 48 hours, a multi-million dollar contract with an American magnate. They’(🔀)ll help each other, as they set out together on a journey to the edge, in a world in which dreams wander like an ownerless dog, pistols and prostitutes don’t do what they’(💶)re meant to do, and the questions have yet to find answers. But as long as there’s a reasonable amount of blood, then there’s nothing to worry about.
不管(🛸)这导(🖇)演嗑了什(🏞)么很(🗞)(hěn )纯的,全部都(👄)要给(😖)你来(lái )一点!在澳洲这(zhè )座曾经(jīng )被称作(📉)(zuò )「无主之(zhī(🍷) )地」(🛥)(Terra Nullius)的大(🐬)(dà )陆(🌟),历史(shǐ )以前所(🎐)(suǒ )未(👒)见的(de )观点重新(⛴)(xīn )诠释:当《疯(fēng )狂麦斯》末日场(chǎng )景成为(🍸)难民(😓)拘留(liú )地(💝),食(shí(🕶) )人羊成为(🎖)反殖(⚾)民(mí(🈸)n )叛乱份(fè(🈁)n )子,《沙(🗺)漠妖姬(jī )》与电(diàn )视剧《请喜欢我(wǒ )》有了跨(🚶)时空(😀)(kōng )的酷儿(🤙)对(duì(🈵) )话……本(🌭)片以(👵)(yǐ )近似DJ取样混(📖)音之(🐲)拼贴手(shǒu )法,打开了虚构与史实(shí )间的神(🎢)秘黑洞,大量援(😙)(yuán )引(🎿)电影名场(⚪)景与(🦗)(yǔ )历史典(diǎn )故(📞),穿(chuā(💎)n )越时空与(yǔ )各(🔻)种语(yǔ )境,重(chóng )写、改写(xiě )、乱写(xiě ),全面(🤷)(miàn )毁(🏮)坏观众(zhò(🚊)ng )的三(😟)观(guān )!这是(👐)一部(🍾)政治(👑)(zhì )复仇预(🥦)(yù )言(🏸),杂揉讽刺喜(xǐ )剧、生(shēng )态恐怖与公路电(📊)(diàn )影(🧐)类型(xíng ),写(🚅)下澳(🔺)洲国族(zú(🎑) )神话(🐪)从未被纪(jì )录(✝)的史(📊)诗(shī )篇章。
多摩湖(hú )のほとりで男性の遺(🔍)体(tǐ )が発見さ(🌨)れた(🖱)。遺体の身(🏙)元は(😆)、株式会(🉑)(huì )社(😻)橋本(⛸)(běn )商事の社長(🌼)である橋本(běn )圭一(山上賢治(zhì ))と判(✅)(pàn )明(📑)。死(sǐ )因は(🧤)頭が(🖕)い骨の骨(🍐)折に(🤯)よる(📜)失血(xuè )死(🍃)で、(👮)後頭部を鈍器のようなもので殴打され(🤥)てい(🚎)た。身元確(🏁)認に(👔)来(lái )た社(🎢)員(yuá(🤬)n )の伊藤(浅香(🛷)航(há(🎩)ng )大)によると、橋本は最後の電話で、(🧢)兵庫の「丹波(🏕)篠山(🐩)」にいる(♐)と言(㊗)っていた(🙀)とい(🐁)う。遺(🤽)体が発(fā )見さ(➰)れた東京の多摩湖(hú )からは距離がある(⬅)こと(🥅)から、別(💳)の場(🤞)(chǎng )所で殺(🗨)害(hà(🐋)i )され(🥐)た後に遺(💋)(yí )棄(👢)された可能性(xìng )がでてきた…。
《拳职(zhí )妈(🐼)妈》讲(🥟)述了一(yī(🎽) )位伟(🦒)大(dà )的拳(Ⓜ)击手(👁)母亲为(wéi )了鼓(👷)励(lì(🦔) )儿子成为一个顶(dǐng )天立地的男子汉,带着(📅)(zhe )患有癌症的身(🦋)(shēn )体(🌧)去参加(jiā(🌧) )拳击(🔂)比赛,最(zuì(⏩) )终儿(📮)子受(🙆)到激励,成长(zhǎ(🎙)ng )为男子汉的励志故事。
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.
The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.
阿黛尔和她的(de )母(🎁)亲孔(🚘)(kǒng )查生活(🍗)(huó )在(🏥)城郊的(de )一(🚅)个贫(🍃)(pín )民(🤫)窟里(lǐ )。孔(🧛)查的(💳)(de )丈夫是(shì )个可恶(è )的暴徒,他使母(mǔ )女俩(🍚)长期生活在(zà(📄)i )暴力(👟)和(hé )虐待(🦖)之中(🏢)。对此(cǐ )忍无可(🤗)(kě )忍(🗳)的孔查决定不(bú )顾一切(qiē )风险,偷走一大(dà )笔钱,并带着(🤬)女儿(Ⓜ)阿黛(dài )尔(🎼)逃离(🌳)。不幸(xìng )的(🗳)是,她(🏹)(tā )们(🛐)在出逃中被(bè(👒)i )发现了。在追捕过程中(zhōng ),孔查却意外地驾(🛁)车撞(🏒)(zhuàng )死了丈(🍮)夫…(❔)…这(zhè )场(👭)逃离(📡)(lí )注定是(shì )一(⛹)次冒(💚)险(xiǎn ),而母(mǔ )女俩竭(jié )尽全力,才能挣(zhèng )脱(🌄)一直(zhí )禁锢她(🥃)们(men )的(🏎)牢笼(lóng )。在(🚖)这段(🍍)跨越生(shēng )命的(🔛)寓(yù(🕙) )言中,力量、困(kùn )难、爱(ài )的希望、机会和(hé )死亡如(rú(👲) )影随(🍅)形。
After being double-crossed by Hondo on her own ship, Maz tells some stories.
故事发(🐶)(fā )生(📨)在2045年,虚拟(💬)现实(🐷)技术(💜)(shù )已经渗透到(🏋)了(le )人类生活(huó )的每一个角落(luò )。詹姆斯哈(💜)利迪(🛶)(马克(kè(🔋) )·里(🤨)朗斯 Mark Rylance 饰)(🎠)一手(🔇)建造(zào )了名为(🖋)“绿洲(🦓)”的虚拟(nǐ )现实游(yóu )戏世界,临终前(qián ),他宣(🐀)(xuān )布自己在(zà(🥅)i )游戏(🔲)中(zhōng )设置(🐜)了(le )一(👜)个彩蛋(dàn ),找到(🛥)(dào )这(🤔)枚彩蛋的人即(jí )可成为(wéi )绿洲的继承人。要找到(dào )这枚(🙎)彩蛋(⛲),必须(xū )先(👒)获得(🍌)(dé )三把钥(📩)匙,而(⬜)寻(xú(🚌)n )找钥匙的线索(📰)就隐藏在(zài )詹姆斯的过往(wǎng )之中。
Skilled at killing, but not so skilled at living, Sammy Cohen, a French and London-based assassin, accidentally kills his fiancé, who happens to be the daughter of an Israeli gangster. qiwan.cc Forced to flee, he ends up in Copenhagen, where he starts working with a former mercenary and together, they travel all over Europe, doing the dirty work on behalf of a rich industrialist.
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